Tuesday, November 30, 2010
Post #10
Cupboard Friend
Lynn Magie
This painting is a cliche because toys are repetitively used as subjects for artworks. First of all, toys such as dolls, bears and twirling ballerinas are redundant because they are easy to paint. This is because they are not real, therefore the facial and body structures are simple. They are pretty much just shapes and colors. For instance, in order to draw a human girl, you would have to create the cheeks, eyebrows, and adequate sized nose. This is a challenge because sometimes the painting does not look like the model. On the other hand, the doll above can easily be replicated by making circles for eyes, a line for lips, and a dot for a relatively small nose. Truly, using toys as models for paintings is not worthwhile.
Sunday, November 28, 2010
Post #9 Post-Modern Painting
http://collageartbyjesse.weebly.com/work-1.html
AutoSpell by Jesse Treece
I think the subject matter of this painting is technology. The artist was probably trying to say that in this advanced era of technology we want to get everything done by a click of a button. We want everything to be as easy as possible that we even want the computer to spell our words instead of typing. The two strategies being used are text+image and juxtaposition. The text "AutoSpell" is found on the key. Without the text and its font we wouldn't know whether they key was an eraser, or just a simple button. If the artist had not placed the text where it is then the message wouldn't be as clear. It would not have the effect that we rely too mush on technology. There is juxtaposition because the large key and small man in the yellow wardrobe are placed side by side. They are different objects placed next to each other.
POST #8 Reflection on First Quarter
Thursday, October 28, 2010
Post #7 My Accordion Book
Tuesday, October 26, 2010
Post #6 Handmade Book
Orange Swirl Pyramid Book
http://www.flickr.com/photos/decklededgebindery/2237695810/in/photostream/
I chose this book because it has an interesting structure. The pages get smaller and smaller as they go up, forming a perfect pyramid. I think the artist took a lot of time and consideration for this project. He or she probably had to measure each triangle to make them fit accurately. I like the fact that the artist used the colors orange, yellow, and red. The book is overall very complex and beautiful.
Thursday, October 14, 2010
Post #5
Monday, October 11, 2010
Post #4
Friday, September 24, 2010
Post #3
(http://www.flashcoo.com/paint/Donald%20Zolan_Early_Childhood_01/painting_children_childhood_kjb_DonaldZolan_14GoldenMoment_sm.html)
Donald Zolan's art piece, "Golden Moment," is an oil painting created in 1984. A young girl is kneeling down in what appears to be a riverbank. She is wearing a white and yellow dress. Her hair is in pigtails and golden blond colored. She's surrounded by tall, yellow green strands of grass. It's a bright sunny day in the country. She is watching four ducklings swimming in the water. It isn't clear whether her eyes are open or closed. There's a small ripple in the water. The color of the river is dark green, reflecting the green scenery around it.
The bright sunlight shining on the girl makes the painting have a pleasant and peaceful mood. It's peaceful because the girl is calmly watching the ducks. She seems to like watching them instead of reaching over to touch them. If she did then they would probably swim away, quacking. This would break the silence. She doesn't want to scare them off. Her face doesn't seem to be cheerful nor glum. She seems relaxed. The theme is mostly a peaceful one. The girl and the ducks notice each other but without making a sound or movement. It's a golden moment meant to be cherished.
The questions I would ask Donald Zolan would be:
- Why is the girl alone?
- How old is the girl?
- Are her eyes closed?
- How does she feel about having the ducks so near?
- Is it her first time seeing the ducklings?
- Is the river deep?
- Does she live in the country?
Post #2 Race and Gender Criticism
The main issue this article talks about is that women and people of color are not taken seriously as artists. The art world is mainly dominated by white males. The more powerful, wealthy artists who have a position in the socio political pyramid have more chances of having their work shown. Having power means they are worthy of being acknowledged. The decision whether to display an artpiece or not is no longer based on how and why it was made, but on who made it. We should judge artworks on their own standards instead of trying to make them meet others definition of art.
Gender and race have blocked our eyes from enjoying beautiful masterpieces. How can someone express their artistic talents when they can't even be recognized as an "artist?" What happens if an artwork presented by a woman or person of color is more outstanding than an artwork of a powerful figure? Will the artwork be accepted and praised even though it's distasteful?
Tuesday, September 21, 2010
Post #1 My First Day of ART
My first experience with art was in kindergarten. We were making a Mother's Day card. My teacher said we were going to paint our hands on a piece of construction paper. I took out my pencil in order to trace my hand. I was waiting for her to pass out the paper, but then she started calling people to the back table. Then she called my name. She told me to put my palms up and started painting my hands with yellow paint. She used a roller to apply the paint, which tickled quite a bit. She told me to place my hands on a piece of pink construction paper. After washing my hands she told me to paste my photograph next to my hands on the paper. That day, I found out that drawing and coloring are not the only types of art